MY SERVICES
Architectural photographer based in Strasbourg, I work alongside architects, urban planners, developers and public authorities to visually showcase their built projects around the world. My approach is at once sensitive, technical and rigorous.
Before being about buildings, architectural photography is, to me, a matter of perspective. What I seek to show is the intelligence of a floor plan, the precision of a volume, the relationship between a project and its surroundings. Every building tells a story, every façade carries an intention. My work is about revealing its coherence, its beauty — sometimes subtle, often obvious once you take the time to look.
I place great importance on light. I scout locations at different times of day to capture the right moment: a cast shadow, a raking light, a transparency that reveals a use. It is this light that draws the lines, creates tension between materials, and brings volumes to life.
Architecture is never static. It is designed to be lived in, walked through, used. That is why my images often incorporate silhouettes, users, scenes of everyday life. Without ever diverting attention from the architecture, I seek to anchor it in the reality of daily life. A child running in a schoolyard, someone passing through a porch, a gaze crossing a bay window: these presences make the space more readable, more alive.
I approach my photo shoots as narratives. A well-constructed series of images can tell the before, the after, the inside, the outside. I alternate wide shots and details, contextual views and graphic sequences. I take my time, I compose with rigour.
My goal: to provide architects with a coherent and usable body of work, whether for a project submission, a portfolio, or social media communication.
Trained in engineering, my initial background gave me a deep understanding of construction logic. I retain a particular attention to detail, to materials, to assemblies. Raw concrete, stained wood, aluminium, glass, terracotta: every material deserves to be respected in its texture and tone. I pay special care to post-production to faithfully render these characteristics, without artifice.
I favour a natural, balanced, understated treatment. My images do not seek effect — they seek accuracy. I believe a good architectural photograph is one that is readable, structured, well-composed, that respects the architect’s intention while asserting a personal vision.
Every assignment begins with an in-depth discussion. Together, we define the objectives of the shoot: number of images, angle of views, inclusion of silhouettes or not, delivery deadlines, intended uses. I always carry out a preliminary site visit, essential to anticipate technical constraints (parking, lighting, access…).
I work alone, with a full set of professional equipment. Tilt-shift lenses, tripod, remote shutter release, ND filters… Each project requires specific tools. I typically work over one or two half-days, depending on the complexity of the site and the client’s needs.
Once the shoot is complete, I carry out a precise selection followed by meticulous post-production. The delivered images are ready to use: optimised for print, web, and social media. I can also support my clients in showcasing the images, through print or digital materials.
Since founding my studio Edifice Photo, I have worked with dozens of architecture firms, developers, local authorities and institutions.
These collaborations are often long-term. They are built on mutual trust, a shared language, and a common commitment to quality. I am fully invested in every project, regardless of its scale: social housing, public facilities, commercial buildings, private homes or urban infrastructure.
As an architectural photographer, I am also an artist. This parallel perspective allows me to offer sometimes unexpected compositions, framings that evoke as much as they describe. Some projects give rise to fine art prints, to more experimental series. I embrace this dual stance: that of the technician serving the commission, and that of the author interpreting space.
I also offer bespoke creations for interior decoration of professional spaces: offices, lobbies, hotels, workspaces. Each image then becomes a fragment of space, an invitation to see differently.
Because I understand your profession, your communication challenges, your technical expectations. Because I adapt to every context, without ever compromising on quality. Because I am convinced that architectural photography is not an end in itself but a tool: a tool to circulate your work, to convince, to convey.
Finally, because I always photograph with honesty and commitment. My eye is never neutral, but it is always respectful. It seeks to reveal what gives meaning, what gives form, what gives place.